George Bernard Shaw (Nobel prize 1925 and author of Pygmalion, which was adapted into the iconic musical My Fair Lady) wrote in an early review to Sylvia Beach (the publisher & owner of the Paris-based Shakespeare & Company) these very funny lines:
‘It is a revolting record of a disgusting phase of civilisation; but it is a truthful one; and I should like to put a cordon-round Dublin; round up every male person in it between the ages of 15 and 30; force them to read it; and ask them whether on reflection they could see anything amusing in all that fouled mouthed, foul minded derision and obscenity.
Clearly, there is more than a hint of mock horror, Shaw does seem to be both shocked and intrigued. He will of appreciated that his more mainstream audience would have expected him to disapprove of this banned work.
But also Shaw clearly sees the literary merit:
To you, possibly, it may appeal as art: you are probably (you see I don’t know you) a young barbarian – beglamoured by the-excitements and enthusiasms that art stirs up in passionate material; but to me it is all hideously real: I have walked those streets and know those shops and have heard-and taken part in those conversations...’
Apparently Shaw much later (1939 and well after the British and US bans had been lifted) publicly conceded that Joyce was a literary genius: "Ulysses as a masterpiece". The British Library also mentions that Joyce loved the original notariety
Shaw’s response highly amused Joyce, and he had this copy made to share with Weaver. Shaw’s original copy of the prospectus is also held by the British Library.
Karsh captures Shaw as a great thinker and granddaddy of the Fabian Society (a more liberal, social democratic form of socialism).
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